“Equoid” is set shortly before the events of the “The Fuller Memorandum”. It’s the longest non-novel-length Laundry story so far. And it explains (among other things) precisely what H. P. Lovecraft saw behind the wood-shed when he was 14 that traumatized him for life, the reproductive life-cycle of unicorns, and what really happened on Cold Comfort Farm.

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Miriam Beckstein has gotten in touch with her roots and they have nearly strangled her. A young, hip, business journalist in Boston, she discovered (in  The Family Trade  ) that her family comes from an alternate reality, that she is very well-connected, and that her family is too much like the mafia for comfort. In addition, starting with the fact that women are family property and required to breed more family members with the unique talent to walk between worlds, Miriam has tried to remain an outsider and her own woman. She started a profitable business in a third world she has discovered, outside the family reach (recounted in  The Hidden Family ). She fell in love with a distant relative, but he died saving her life. Now, however, in  The Clan Corporate , Miriam may be overreaching. And if she gets caught, death or a fate worse is around the bend. There is, for instance, the brain-damaged son of the local king who needs a wife. But they'd never make her do that, would they?

Hugo Award-winning author Charlie Stross dives deep into the underbelly of paratime espionage, nuclear warfare, and state surveillance in this provocative techno-thriller set in The Merchant Princes multi-verseDark State ups the ante on the already volatile situations laid out in the sleek techno-thriller Empire Games, the start to Stross' new story-line, and perfect entry point for new readers, in The Merchant Princes series. In the near-future, the collision of two nuclear superpowers across timelines, one in the midst of a technological revolution and the other a hyper-police state, is imminent. In Commissioner Miriam Burgeson's timeline, her top level agents run a high risk extraction of a major political player. Meanwhile, a sleeper cell activated in Rita's, the Commissioner's adopted daughter and newly-minted spy, timeline threatens to unravel everything.With a penchant for intricate world-building and an uncanny...

In the tradition of Roger Zelazny's classic Amber novels, the second volume of Charles Stross's thrill-a-minute saga of multiple worlds. Miriam, a hip tech journalist from Boston, discovered her alternate world relatives in  The Family Trade , and with them an elite identity she didn't know was hers. Now, in order to avoid a slippery slope down to an unmarked grave, Miriam, known as Lady Helge to the Family, starts applying modern business practices and scientific knowledge to a trade dominated by mercantilists -- with unexpected consequences for three different timelines, including the quasi-Victorian one exploited by the hidden family. Charles Stross is one of the big new SF writers of the 21st century, and the saga of The Merchant Princes is his most ambitious work yet.

The Laundry Files' "fast-paced blend of espionage thrills, mundane office comedy and Lovecraftian horror" (SFX) continues as Hugo Award-winning author Charles Stross assigns a day trader to a permanent position on the night shift...After stumbling upon the algorithm that turned him and his fellow merchant bankers into vampires, Alex Schwartz was drafted by The Laundry, Britain's secret counter-occult agency that's humanity's first line of defense against the forces of darkness. Dependent on his new employers for his continued existence—as Alex has no stomach for predatory bloodsucking—he has little choice but to accept his new role as an operative-in-training. Dispatched to Leeds, Alex's first assignment is to help assess the costs of renovating a 1950s Cold War bunker into The Laundry's new headquarters. Unfortunately, Leeds is Alex's hometown, and the thought of breaking the news to his parents that he's left banking for civil service, while...

In the twenty-seventh century, accelerated technology dictates the memories and personalities of people. With most of his own memories deleted, Robin enters The Glasshouse-an experimental polity where he finds himself at the mercy of his own unbalanced psyche.

EDITORIAL REVIEW: Things are going badly for the Clan in this new SF novel of the Merchant Princes, the immensely popular series by Charles Stross. Locked in a vicious civil war for control over the kingdom of Niejwein, their army is bottled up inside a fortress under siege in two parallel universes at once. Duke Angbard, the Clan’s leader, has been laid low by a stroke: plotters are already conspiring in readiness for the deadly dance to come. Miriam, rescued from a tight spot in New Britain, finds the hopes of the young, progressive faction focused on her. But do they want her as a leader or a figurehead? She soon finds herself thrown into a desperate struggle for power. Meanwhile, unbeknownst to the Clan, researchers working for the US government have achieved a technological breakthrough. The War on Terror is about to go transdimensional.

Sometime in the twenty-third century, humanity went extinct—leaving only androids behind. Freya Nakamichi 47 is a femmebot, one of the last of her kind still functioning. With no humans left to pay for the pleasures she provides, she agrees to transport a mysterious package from Mercury to Mars. Unfortunately for Freya, she has just made herself a moving target for some very powerful, very determined humanoids who will stop at nothing to possess the contents of the package.

In this weird little alternative history novella, acclaimed futurist Charles Stross takes the familiar clashes of the Cold War and stretches and warps them to fit a flattened Earth where the emergence of new continents incites competitive colonization efforts from the Americans and Soviets. When the colonists encounter 1,000-year-old radioactive ruins and poisonous termite-like creatures that exhibit eerie degrees of intelligence, the true nature of their changed world slowly becomes clear. The result is a blend of 1900s H.G. Wells and 1970s propaganda, updated for the 21st century in the clear, chilly and fashionably cynical style that lets Stross get away with premises that would be absurdly cheesy in anyone else’s hands.